Cyanotypes are easy and fun, and are the ideal way for someone to start exploration of historical and alternative photographic processes. The chemicals used are affordable and relatively safe, while most of the preparations can be done in a normally lighten room. Numerous places sell readymade Cyanotype supplies or even paper that has been presensitized.
The supplies can be purchased through the internet or in photo shops that sell equipment needed by analogue photographers. Several requirements have to be in place before the actual process of making a Cyanotype can begin. The most vital requirement is a sensitized solution, which either can be mixed by the photographer undertaking the process, or bought together with other supplies. The other material consists of the medium, in most process a smooth rag paper can do. Should this not be available, a piece of cloth or wood can be used.
An appropriate negative of about 35mm which is not flat and possessing a full range of densities is needed. A frame for contact prints is the last requirement, which can be made from a photo frame or a piece of glass. In addition, a source of light is needed, and in this process the sun would be just fine. As what are being made are contact prints, each of the prints will be similar in size to the negative used.
At the start of the process, any post-production program that is available is utilized in opening the image. In case the image is not already in black and white, any available conversion means should be used to convert it. As soon as an image that is non-color has been achieved, suitable adjustments to brightness, contrast and levels is done and the reversal of the image takes place. Printing of this image is done on any suitable film with the use of an inkjet printer, to the size that the final image should have.
The sensitized paper and the negative are exposed in direct sunlight. The amount of exposure will depend on the density of the negative, the paper used, the amount of sunlight together with other variables. During summertime, exposures should run between three and six minutes, while in winter it should take about 30 minutes.
The negatives edge can be taped on the paper using a clear masking tape should a contact print frame not be used. However, one should be cautious not to expose the image to direct sunlight for too long. The image under exposure should have darker shades in comparison to how the final image is required to be.
Developing a Cyanotype is quite easy, since all that is needed is cleaning the print slowly for about ten minutes with running water. The highlights will be wiped off by blue stains, lightening up the image. Drying of the print is done through hanging it from a clothes line or setting it out on a nylon window screen.
The process of making Cyanotype with the use of Cyanotype supplies is that simple. It may take some time and practice to come up with a neat Cyanotype, hence the photographer should not worry if it fails to be perfect. All they have to do is utilize the correct supplies and follow the steps carefully.
The supplies can be purchased through the internet or in photo shops that sell equipment needed by analogue photographers. Several requirements have to be in place before the actual process of making a Cyanotype can begin. The most vital requirement is a sensitized solution, which either can be mixed by the photographer undertaking the process, or bought together with other supplies. The other material consists of the medium, in most process a smooth rag paper can do. Should this not be available, a piece of cloth or wood can be used.
An appropriate negative of about 35mm which is not flat and possessing a full range of densities is needed. A frame for contact prints is the last requirement, which can be made from a photo frame or a piece of glass. In addition, a source of light is needed, and in this process the sun would be just fine. As what are being made are contact prints, each of the prints will be similar in size to the negative used.
At the start of the process, any post-production program that is available is utilized in opening the image. In case the image is not already in black and white, any available conversion means should be used to convert it. As soon as an image that is non-color has been achieved, suitable adjustments to brightness, contrast and levels is done and the reversal of the image takes place. Printing of this image is done on any suitable film with the use of an inkjet printer, to the size that the final image should have.
The sensitized paper and the negative are exposed in direct sunlight. The amount of exposure will depend on the density of the negative, the paper used, the amount of sunlight together with other variables. During summertime, exposures should run between three and six minutes, while in winter it should take about 30 minutes.
The negatives edge can be taped on the paper using a clear masking tape should a contact print frame not be used. However, one should be cautious not to expose the image to direct sunlight for too long. The image under exposure should have darker shades in comparison to how the final image is required to be.
Developing a Cyanotype is quite easy, since all that is needed is cleaning the print slowly for about ten minutes with running water. The highlights will be wiped off by blue stains, lightening up the image. Drying of the print is done through hanging it from a clothes line or setting it out on a nylon window screen.
The process of making Cyanotype with the use of Cyanotype supplies is that simple. It may take some time and practice to come up with a neat Cyanotype, hence the photographer should not worry if it fails to be perfect. All they have to do is utilize the correct supplies and follow the steps carefully.
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